jsbj:

Tauba Auerbach

recyclethepast:

calder, giraffe 1941.

tripudios:

Fabrice Le Nezet made a great sculptural project called Measure, consisting in three different pieces which abstract iron structures are connected with blocks of concrete provoking some tension as Fabrice says; “I worked here on a physical representation of the idea of measure. The objective was to ‘materialize’ tension in a sense, to make the notions of weight, distance and angle palpable.”

“This work lies in the context of my search for purification around raw materials such as concrete and metal. This is why I played with simple shapes which catch light and transcend the volume structure.” - Fabrice Le Nezet.

(via adrifts)

betonbabe:

FELICE VARINI

POINT OF VIEW: JEUNE SCULPTURE, PORT D’AUSTERLITZ, 1952

(via dondequiera)

visitheworld:

Architecture inside Warsaw University of Technology, Poland (by x-oph).

(via takaakik)

badminton:

patternandco: Thread on paper drawings by Emily Barletta (via I’M REVOLTING)

(via takaakik)

museumuesum:

JENNY HOLZER

Inflammatory Essays, 1978
offset prints on colored paper
17 x 17 inches

ivotemelkov:

Noam Rappaport - Smile 1, 2012

wood, canvas, glue, acrylic

40 x 34 x 3 inches

(Source: exasperated-viewer-on-air)

good:

Can’t wait to see this!

Ends of the Earth: Land Art to 1974 is the first large-scale, historical-thematic exhibition to deal broadly with Land art, capturing the simultaneous impulse emergent in the 1960s to use the earth as an artistic medium and to locate works in remote sites far from familiar art contexts. (via The Geffen Contemporary Museum at MOCA)

bluebirdsfloat:

Conrad Shawcross - The Limit of Everything (2010)

Aluminium, stainless steel, lights, mechanical system, 3m x 3m x 0.3m

(via itscontemporary)

timelightbox:

Odessa, Ukraine, August 4, 1993 — Collection of the Artist © Rineke Dijkstra

Tuesday, July 17, at 6:30 pm: Rineke Dijkstra in conversation with Paul Graham at the Guggenheim to discuss their shared artistic concerns and distinct critical practices in image making.

Learn more about the event here, and see more of Dijkstra’s work on LightBox here. 

installator:

“Monumental wall sculpture by Ellsworth Kelly installed on Dartmouth campus.  This major site-specific work, titled Dartmouth Panels, was commissioned by longtime arts patrons Leon Black ‘73 and his wife Debra, who contributed $48 million towards the creation of the center.” (artdaily.org)

thetuesdayafter:

Henning Bohl at Casey Kaplan

devidsketchbook:

Atelier Olschinsky  ”Architectural”

(via devidsketchbook)

myedol:

Street Poetry by Robert Montgomery